美国名人 画家 爱德华·霍普.docx

《美国名人 画家 爱德华·霍普.docx》由会员分享，可在线阅读，更多相关《美国名人 画家 爱德华·霍普.docx（4页珍藏版）》请在第壹文秘上搜索。

1、美国名人画家爱德华霍普EdwardHoppersSimplePaintingsHoldSpecialMeaningforAmericansplaystopmutemaxvolume00:00-16:00repeatBySarahRandleandproducedbyMarioRitter2006-9-23VOICEONE:mShirleyGriffith.VOICETWO:AndImDougJohnsonwithPeopleinAmericainVOASpecialEnglish.TodaywetellaboutartistEdwardHopper.Hepaintednormalobjects

2、andpeopleininterestingandmysteriousways.(MUSIC)VOICEONE:InJuneoftwothousand-six,visitorsenteredtheredesignedSmithsonianAmericanArtMuseuminWashington,D.C.forthefirsttime.Whenthesepeoplewalkedintothebuilding,theysawtwosimple,colorfulpaintings.ThesepaintingsshowednormalscenesfromAmericanlife.Buttheyloo

3、kedmysteriousandbeautiful.AmericanartistEdwardHopperpaintedbothofthesefamouspictures.VOICETWO:EdwardHopperwasbornineighteeneighty-twoinNyack,asmalltowninNewYorkstate.Fromayoungage,Edwardknewhewantedtobeapainter.Hisparentswerenotwealthypeople.TheythoughtEdwardshouldlearntopaintandmakeprintstoadvertis

4、eforbusinesses.Thiskindofpaintingiscalledcommercialart.Edwardlistenedtohismotherandfather.Innineteenhundred,hemovedtoNewYorkCitytostudycommercialart.However,healsostudiedmoreseriousandartistickindsofpainting.VOICEONE:OneofHoppersteacherswasRobertHenri,afamousAmericanpainterintheearlytwentiethcentury

5、.HenriwasaleaderofagroupofartistswhocalledthemselvestheAshcanSchoolpainters.TheAshcanartistslikedtopaintnormalpeopleandobjectsinrealisticways.Henrionceexpressedhisideasaboutpaintingthisway:Paintwhatyoufeel.Paintwhatyousee.Paintwhatisrealtoyou.EdwardHopperagreedwithmanyoftheseideasaboutart.Hetoldpeop

6、lethatHenriwashismostimportantteacher.VOICETWO:HopperstudiedwithHenriinNewYorkCityforsixyears.Duringthoseyears,HopperdreamedofgoingtoEurope.Manypaintersthereweremakingpicturesinwaysnoonehadeverseenbefore.Manyofthemhadbeguntopaintpicturestheycalledabstract,Theartistslikedtosaytheseworkswereaboutideas

7、ratherthanthingsthatexistedintherealworld.Theirpaintingsdidnottrytoshowpeopleandobjectsthatlookedliketheonesinreallife.MostAmericanartistsspenttimeinEurope.ThentheyreturnedtotheUnitedStatestopaintinthisnewway.VOICEONE:Withhelpfromhisparents,HopperfinallytraveledtoEuropeinnineteen-oh-six.HelivedinPar

8、is,Franceforseveralmonths.Hereturnedagaininnineteen-oh-nineandnineteen-ten.Unlikemanyotherpeople,however,Hopperwasnotstronglyinfluencedbythenew,abstractstyleshefoundthere.Parishadnogreatorimmediateimpactonme/heoncesaid.Attheendofthesetravels,hedecidedthathelikedtherealisticmethodshehadlearnedfromRob

9、ertHenri.(MUSIC)VOICETWO:WhenEdwardHopperreturnedfromParisforthelasttime,hemovedintoasmallapartmentintheGreenwichVillageareaofNewYorkCity.Hetookajobmakingprintsandpaintingsforbusinesses.However,thepaintingshemadeoutsideofhisjobwerenothelpinghimearnmoneyorrecognition.HehadashowofhisworkatagalleryinNe

10、wYork.However;mostpeoplewerenotinterestedinhissimple,realisticstyle.Veryfewpeopleboughthispaintings.VOICEONE:Thingsbegantoimproveinnineteentwenty-three.HebeganaloverelationshipwithanartistnamedJoNivison.Soontheymarried.HiswifesometimessaidthatEdwardtriedtocontrolherthoughtsandactionstoomuch.However;

11、mostpeoplewhoknewthemsaidtheylovedeachotherverymuch.Theystayedmarriedfortherestoftheirlives.Also,JowasthemodelforallofthewomeninHopperspaintings.Successinartsoonfollowedthissuccessinlove.Innineteentwenty-four,Hopperhadthesecondshowofhispaintings.Thistime,hesoldmanypictures.Finally,atageforty-three,h

12、ehadenoughmoneytoquithisjobpaintingforbusinesses.Hecouldnowpaintwhatheloved.EdwardandJoboughtacarandbegantotravelaroundthecountrytofindinterestingsubjectstopaint.(MUSIC)VOICETWO:MostpeoplesaythatHoppersnineteentwenty-fivepaintingTheHousebytheRailroadwashisfirstmaturepainting.Thismeansthatitwasthefir

13、stpaintingthatbroughttogetherallofhisimportanttechniquesandideas.TheHousebytheRailroadshowsalarge,whitehouse.Thepaintingdoesnotshowthebottomofthehouse.Itisblockedbyrailroadtracks.CuttingscenesoffinsurprisingwayswasanimportantpartofHoppersstyle.Hebecamefamousforpaintingsthataremysterious,thatlookinco

14、mpleteorthatleaveviewerswithquestions.ShadowsmakemanypartsofthehomeinTheHousebytheRailroadlookdark.Someofthewindowslookliketheyareopen,whichmakestheviewerwonderwhatisinsidethehouse.However,onlydark,emptyspacecanbeseenthroughthewindows.Strangeshadows,darkspaces,andareaswithlightwereimportantpartsofma

15、nyHopperpaintings.Therearenopeopleinthepainting,andnoevidenceofotherhousesnearby.Hopperwasfamousforshowinglonelinessinhisart.Peopleoftensaidthat,evenwhenthereweremanypeopleinhispaintings,eachpersonseemstobealoneinhisorherownworld.VOICEONE:Duringthegreateconomicdepressionofthenineteenthirties,manypeo

16、plesawHopperslonely,mysteriouspaintingsofeverydaysubjects.Theylikedthepicturesbecausetheyseemedtoshowlifehonestly,withouttryingtomakeithappierorprettierthanitreallywas.Asaresult,Hoppercontinuedtosellmanypaintingsduringthoseyears,eventhoughmostAmericanswereverypoor.VOICETWO:Innineteenforty-two,Hopperpaintedhismostfamouswork,Nighthawks.Thepaintingshowsfourpeopleinaneating-placecalledadinerlateatnig