aroomofonesown一个人的房间.docx

VirginiaWoolf(1882-1941)isabrilliantwomanauthorintheEnglish1iteraryfieldduringthe19thand20thcentury.Sheisthepioneeramongfeminismcritics.HerrepresentativeworkARoomofOnesOWniswidelyconsideredHiefirstmoderntextoffeministcriticism.vItisthefirsttoexposeandcriticizepatriarchyculture.Shecriticizestheinhibitionoffemalesfrompatriarchycultureandaffirmsthefemaleliteraturetraditionrejectedbypatriarchysociety,findingahistoricalsupportingpointforfemalewriting.Sheputsforwardtheideathatfemalesshouldtrytowritefromthedual-sexpointofviewwithoutneglectingtheirownsexfeatures,thusprovidingusgreaterva1uethanthosefeministcriticsexcludingmalewriters.Theninmypaper,Iwi11trytoanalyzethisworkfromthefollowingaspects:instructionofARoomofOnesOwn,feministicthoughtsinARoomofOnes(¼fnandtheinfluenceofherfeministicthoughtsintheliteraryfield.Firstandforemost,ARoomofOne,sOwnisbasedonaseriesoflecturesshedeliveredatNewnhamCo11egeandGirlonCollege,twowomen,scollegesatCambridgeUniversityin1928.Itistheinspirationalsourceforthefundamentalqueriesofafemaleliterarytraditionandisalsomuchappreciatedinthepresentpost-modernistorpost-feministtime.Inthisbooktherearesixchapters,ineachsectionVirginiaWoolfdiscussesthedifferentaspectsofthetopic:womenandfiction.InchapteroneVirginiaWoolfpointsoutthatwesternhistorysofarhasbeenthehistoryofthepatriarchy,ahistorywrittenbymenaboutmenandformen.sdaughters,wife,ormother,womenhavenoequalrightsandnoeconomicindependence.Inchaptertwo,thetopicismen,sanger.Thenarratorofthebook,goestotheBritishMuseumtofindoutaseriesofquestions,suchas”whydidmendrinkwineandwomenwater?,andtheaunt,“MaryBaton,leavesthenarratoralegacyof500poundsayear,andthislegacyhasitsspecialhints.Inchapterthree,thenarratordecidestoinvestigatewomeninElIzabethanEngland,puzzledwhytherewerenowomenwritersinthatfertile1iIeraryperiod.Shebelievesthereisadeepconnectionbetweenlivingconditionsandwriting.Inchapterfour,thenarratormakesupastoryofJudithShakespeare,supposedlythesistertothegreatElizabethanplaywright.Judithisful1ofadventurousspiritandrichimagination,butsheisnotsenttoschool,asherbrotheris,tolearngrammarandlogic.Finallyherbrothergoesto1.ondonandbecomesagreatdramatist,whiIeshediesandisburiedatcrossingroads.Actuallythestoryisaminiatureofthepatheticlifeofwomen,especiallywomenoftalentandambitionintheolddays.Inchapterfive,thenarratorthinksthatthefemalewriters,nowgivenabettereducation,nolongerneednovelsasameansofself-expression.Sheshowsthereadersanenormouschangeinthestateofwriting:anaveragefemalewriterisfinallyabletowritewithoutangerorhatred,withoutastiflingawarenessofhergender,withastandard''femininc“sentenceasamodel.Inchaptersix,thenarratoropenswithastoryofamanandwomanmeetingonthestreetandsheputsforwardaterm:androgynousmind.Also,ARoomofOne,sOwnisaclassicworkaboutfeministicthoughts.Fromthisbook,wecangettoknowthethreemajorthoughtsofVirginiaWoolf:havingaroomofone'sown,havingtheirownwayofwriting,havingtheirownvoiceandandrogyny.Firstly,WoolfthinksthatinthesocietyofpatriarchyduringtheVictorianperiod,womenhavebeenconfinedtothevery1imitedsphereofdomesticlife,tobetrainedafterthetraditionalmodeloffemininity,andtoburythemselvesintheendlesstrivialhousework,withnomoney,norest,noprivatespace,andnochanceforself-realization.Forexample,Janeustendidnothaveastudyofherown,sosheoftenfinishedherwritingssecretlyinacornerofthelivingroom.Everytimewhensomeonewalkedintothelivingroom,shewouldhidehermanuscriptsimmediatelyas1iteraryWrilingwasnotanhonorablecareerforwomen.Thus,Woolfmakesthemostfamousstatement:"Awomanmusthavemoneyandaroomofherownifsheistowritefiction,and''thatitisnecessarytohavefivehundredayearandaroomwithalockonthedoorifyouaretowritefictionorpoetry,mBesides,theroomitselfmeansnotonlyaspace;itisametaphoricalreferencetoastateofcompleteindependenceandfreedom,whereawomancanreturntoherrealseif.Shecanfeel,think,andactasshe1ikeswithoutconsideringherownpositionandsex.Onlyinsuchastateofabsoluteindependenceandfreedomcanawomancreatereallygreatliterature.Secondly,inARoomofOne,sO»n,Woo1femploysthefirstnarrator"I"tocommunicatewiththeaudiencethetopic-womenandfiction.However,'TinthisbookdoesnotrefertoVirginiaWoolf,buttoMary."Mary"isnotaspecificindividual,butreferstodifferenttypesofwomen.Woolffabricatedanarrator,events,andplacesinordertodiscussthecreativetalentsoffemalewritingandexpressherownpointsofview.InWoolf,Sday,ifawomanwantedtoexpressheropinions,shewouldfaceanumberofobstacles.Thus,afictionalnarratorisputintouse.Meanwhile,thisisalsoarevolttothepatriarchyofthesocietywherewomenhadalmostnoopportunitytoexpresstheiropinions.Thirdly,thedefinitionof“Androgyny“isoneoftheimportantthoughtsoffeminismandfeministiccriticism.Woolfdefinestheandrogynousnatureoftheperfecthumanmindastwooppositeandsexedpresidingpowersworkinginharmony.Shedescribestherelationinthefollowingsimplestatements:'Tntheman'Sbrainthemanpredominatesoverthewomanandinthewoman,sbrainthewomanpredominatesovertheman.Thenormalandcomfortablestateofbeingisthatwhenthetwo1iveinharmonytogether,spirituallyco-o